If I had Legs I’d Kick You.

A relentlessly depressing film that I could not look away from. 

Rose Byrne in a rivetingly eloquent performance single handedly carries this tale of a mother nearly drowning in a series of mishaps. Byrne playing Linda a therapist caring for a daughter with an eating disorder requiring a peg  tube which must be replenished every night while struggling to manage a series of other mishaps including the collapse of the ceiling in her apartment which floods the house forcing her to move with her daughter into a seedy motel while she tries to get the landlord to repair the damage. (With no success). Her absent husband has nothing to offer other than criticisms over the phone of how she is coping with these crises. On top of this barrage she has to deal with her array of clients with their own problems who further burden her adding to the mounting impossibility of her position. Seeking council from a fellow therapist, played by Conan O’Brien. His initial apparent indifference to her plight  soon turns into exasperation after she inadvertently crosses professional boundaries and he drops her as a patient. The clinic monitoring her daughter as well as Lindas increasingly desperate behavior is putting additional pressure on her that if certain weight gain targets are not met, additional custodial options would have to be considered. The way that Byrne expresses the mounting impossibility of her plight is a thing to behold… remarkable. 

Her performance already garnering awards from the Berlin Film festival Written and unflinchingly directed by Mary Bronstein. 

Harrowing but you cannot look away. 648 Stars

 

                                        

In the two hundred and seven years since Mary Shelly’s novel there have been 423 feature films featuring the monster. Guillermo del Toro completing the film ‘he was born to make’ since viewing  the film when he was seven.  In his recently released beautifully realized two and a half hour version, this gothic masterpiece casts Frankenstein as the monster, leaving the creature as an abused victim of Frankensteins obsessive desire to rise above the childhood abuse of his own father, a renowned surgeon.  Guillermo’s creature given unending life and suffering is bewildered empathetic lonely and angry after his creator tries to destroy him in frustration of its shortcomings. The film opens in the arctic where a Danish expedition discovers Frankenstein near death on the ice the creature nowhere to be seen. Hauling him on board he tells the captain his story how he created the creature  The creature soon appears at the ship looking for Frankenstein to confront him, calling him to account. His superhuman strength almost capsizes the ice stranded ship.The crew are all terrified unable to kill him. After recounting to the captain the entire story of the creature he created, it breaks into the cabin finally confronting his creator.  I’m not going to give away the ending. Other than to say it is quite different from all the other 423 previous versions. Del Toro has given human emotional depth to the creature missing from all of the predecessors and indeed created his own sumptuously enthralling unique version of this endlessly fascinating tale.

712 Stars 

                                          

Die my Love.

Everybody is mad. It’s a question of degree. As long as the madness is private and  stays within the confines of normal socially acceptable behavior, it is not usually noticed or commented on. This is an unflinching story of a woman’s transition into post partum psychosis. Grace, rivetingly  played by Jennifer Lawrence,  a writer living in New York City moves with her husband Jackson played by Robert Pattinson to rural Montana with their new child for a quieter life. 

Their original euphoria slowly dissipates as they adjust to their new surroundings and become parents, Grace begins to struggle with feelings of isolation and psychological distress. As her malaise intensifies and deepens her bewildered husband is at a loss how to cope. Director Lynne Ramsay does a masterful job in visually displaying Graces fall into psychosis. Her new world taking over from reality in many startling scenes. With supporting appearances with Sissy Spacek and Nick Nolte. Their well intentioned kindnesses somehow unable to penetrate Grace's condition. This is a haunting intense film.  479 stars